Simpler is great if you’re working with warped material, because it retains those warp marker adjustments when you drop in the clips. Nope, you don’t record into Simpler directly – it’s a playback-only device. The first task is to load some audio into Simpler, dragging over a clip from another track, or the Browser, or computer desktop. For our demo we’re working with Live 10, but if you’re using Live 9.5 or above, you’ll be fine. This is accessed via a quick right-click and a scroll down the contextual menu.Today we’re talking about using Simpler exclusively as a loop playback machine. Alternatively you can crop your loop and shed everything outside of the loop points. Once you are happy with the new looped audio you have it can be saved, using the dedicated 'Save' button. Whichever method you use, creating tight loops is quick and intuitive. This can be done in a few ways, you can either use the locaters that are situated in the waveform display area or you can set them using bar numbers directly in the loop area. With the loop button illuminated you are ready to set the loop start and end points. To the right of the warp section you'll find the loop functions. Looping is something that Live takes in its stride with the perfect loop often only a few clicks away. With your warp markers in place and your audio clip playing back in time, it can then be looped. The process is non destructive so any mistake that are made can easily be corrected or completely deleted. The best way to approach warping your audio is generally to get your markers in the correct places initially and then perform any stretching or quantization that is needed. Most of the time Live does a pretty good job of automatically warping audio but sometimes you have to take matters into your own hands and go manual! The warp markers can also be edited to allow you to change the groove of your audio and change the way it plays back.
This technique gives your audio an elastic quality and the tempo of correctly warped audio will actually change in real time with any changes to your projects BPM. These markers are then effectively used to 'quantize' your audio and sync it with the rest of your project. It's when your audio is un-edited and at a different tempo where things become tricky and this is where warping comes in.Ībleton's warping system allows you to analyze your audio and generate markers that clamp onto the dynamic events, or transients in your audio.
HOW TO CHANGE TEMPO IN ABLETON LIVE 10 SERIES
In part 1 of this series we took a look at importing audio loops that were already edited and we saw that Live is able to loop them with no real problems. This audio can be dropped in realtime into any project and be played back perfectly in time. Essentially warped audio is able to remain in sync with your music regardless of tempo. Warping is a feature that lies at the very heart of Ableton Live's capabilities and is the reason that many people love the application so much.
HOW TO CHANGE TEMPO IN ABLETON LIVE 10 HOW TO
In this tutorial we'll discover how to perform basic warping, use the dedicated Looper tool and transform your grooves into MIDI data. Live can use looped audio in so many ways but let's take a look at a few of the highlights. Since version 1.0 people have been using it's 'elastic' audio capabilities to sync their grooves and create real time remixes of existing projects. Playing back looped audio is arguably Ableton Live's main strength.
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